Description /
This is a Rehearsal invites audiences to consider cities as a continuous process rather than an enduring object. “This,” is a pronoun, adjective, and adverb; it points elsewhere. It refers to the myriad forms of art and design that evolve and emanate from the perpetual churn of the city: architectures, infrastructures, landscapes, monuments, technologies, criticisms, poetic forms, performances, spaces, theories, histories, and social organizations. In parallel, the word “rehearsal” offers an alternative to a manifesto. Rather than declare one particular aim, rehearsal is an open-ended framework that is intentionally designed to allow for uncertainty, progress, failure, and redemption. Rehearsals, like cities, coordinate a range of people coming together from different contexts, cultures, and lived experiences to produce environments in fulfillment of a range of perspectives. In this sense, rehearsals are structures of constant coordination and re-negotiation.
“This” also refers to CAB itself. A biennial is a form that organizes other forms. We do not see it as a stranger or outsider; we see it as an integral function of the city. It is in itself a process of production. Biennials are informed by the city and offer a range of potential forms to the city. While CAB is expressed as a range of exhibitions, installations, performances, and spectacles, we see This is a Rehearsal as a feedback loop and timing device. A biennial is not merely a conversation about cities, but a conversation of, and with, the city. It is also a reflection on a range of cities, as they are, as they were, and as they could be.
/ List of Participants
For more information on CAB 5: This is a Rehearsal, please visit:
https://chicagoarchitecturebiennial.org/edition/cab-5/
This is a Rehearsal invites audiences to consider cities as a continuous process rather than an enduring object. “This,” is a pronoun, adjective, and adverb; it points elsewhere. It refers to the myriad forms of art and design that evolve and emanate from the perpetual churn of the city: architectures, infrastructures, landscapes, monuments, technologies, criticisms, poetic forms, performances, spaces, theories, histories, and social organizations. In parallel, the word “rehearsal” offers an alternative to a manifesto. Rather than declare one particular aim, rehearsal is an open-ended framework that is intentionally designed to allow for uncertainty, progress, failure, and redemption. Rehearsals, like cities, coordinate a range of people coming together from different contexts, cultures, and lived experiences to produce environments in fulfillment of a range of perspectives. In this sense, rehearsals are structures of constant coordination and re-negotiation.
“This” also refers to CAB itself. A biennial is a form that organizes other forms. We do not see it as a stranger or outsider; we see it as an integral function of the city. It is in itself a process of production. Biennials are informed by the city and offer a range of potential forms to the city. While CAB is expressed as a range of exhibitions, installations, performances, and spectacles, we see This is a Rehearsal as a feedback loop and timing device. A biennial is not merely a conversation about cities, but a conversation of, and with, the city. It is also a reflection on a range of cities, as they are, as they were, and as they could be.
/ List of Participants
For more information on CAB 5: This is a Rehearsal, please visit:
https://chicagoarchitecturebiennial.org/edition/cab-5/